Design Frames

Design Frames

Design Frames

Design Frames

Design Frames

January - December 2016

January - December 2016

January - December 2016

January - December 2016

January - December 2016

A collection of several design explorations that didn't leave the drawer.

A collection of several design explorations that didn't leave the drawer.

A collection of several design explorations that didn't leave the drawer.

A collection of several design explorations that didn't leave the drawer.

A collection of several design explorations that didn't leave the drawer.

From client to personal work, these styleframes represent my approaches and solutions to the different challenges that I was lucky to have.

From client to personal work, these styleframes represent my approaches and solutions to the different challenges that I was lucky to have.

From client to personal work, these styleframes represent my approaches and solutions to the different challenges that I was lucky to have.

From client to personal work, these styleframes represent my approaches and solutions to the different challenges that I was lucky to have.

From client to personal work, these styleframes represent my approaches and solutions to the different challenges that I was lucky to have.

Role: Art Direction, Design

Role: Art Direction, Design

Role: Art Direction, Design

Role: Art Direction, Design

Role: Art Direction, Design

“My Dear,
Find what you love and let it kill you.
Let it drain you of your all.
Let it cling onto your back and weigh
you down into eventual nothingness.
Let it kill you and let it devour your remains.

For all things will kill you, both slowly
and fastly, but it's much better to be
killed by a lover.

Falsely yours,
Charles Bukowski”

“My Dear,
Find what you love and let it kill you.
Let it drain you of your all.
Let it cling onto your back and weigh you down into eventual nothingness.
Let it kill you and let it devour your remains.
For all things will kill you, both slowly and fastly, but it's much better to be killed by a lover.

Falsely yours,
Charles Bukowski”

“My Dear,
Find what you love and let it kill you.
Let it drain you of your all.
Let it cling onto your back and weigh you down into eventual nothingness.
Let it kill you and let it devour your remains.
For all things will kill you, both slowly and fastly, but it's much better to be killed by a lover.

Falsely yours,
Charles Bukowski”

“My Dear,
Find what you love and let it kill you.
Let it drain you of your all.
Let it cling onto your back and weigh you down into eventual nothingness.
Let it kill you and let it devour your remains.
For all things will kill you, both slowly and fastly, but it's much better to be killed by a lover.
Falsely yours,
Charles Bukowski”

“My Dear,
Find what you love and let it kill you.
Let it drain you of your all.
Let it cling onto your back and weigh you down into eventual nothingness.
Let it kill you and let it devour your remains.
For all things will kill you, both slowly and fastly, but it's much better to be killed by a lover.
Falsely yours,
Charles Bukowski”

“You must understand the following: In order to master a field, you must love the subject and feel a profound connection to it. Your interest must transcend the field itself and border on the religious.”
― Robert Greene, Mastery

“You must understand the following: In order to master a field, you must love the subject and feel a profound connection to it. Your interest must transcend the field itself and border on the religious.”
― Robert Greene, Mastery

“You must understand the following: In order to master a field, you must love the subject and feel a profound connection to it. Your interest must transcend the field itself and border on the religious.”
― Robert Greene, Mastery

“You must understand the following: In order to master a field, you must love the subject and feel a profound connection to it. Your interest must transcend the field itself and border on the religious.”
― Robert Greene, Mastery

“You must understand the following: In order to master a field, you must love the subject and feel a profound connection to it. Your interest must transcend the field itself and border on the religious.”
― Robert Greene, Mastery

Design process

Design process

Design process

Design process

Design process

My greatest challenge besides arriving to the solution that the client is looking for, his the search for a visual language that can be identifiable.
The abstract world is something that I'm really passionate about and I'm always looking for an opportunity to dive in that realm. 

My greatest challenge besides arriving to the solution that the client is looking for, his the search for a visual language that can be identifiable.
The abstract world is something that I'm really passionate about and I'm always looking for an opportunity to dive in that realm. 

My greatest challenge besides arriving to the solution that the client is looking for, his the search for a visual language that can be identifiable.
The abstract world is something that I'm really passionate about and I'm always looking for an opportunity to dive in that realm. 

My greatest challenge besides arriving to the solution that the client is looking for, his the search for a visual language that can be identifiable.
The abstract world is something that I'm really passionate about and I'm always looking for an opportunity to dive in that realm. 

My greatest challenge besides arriving to the solution that the client is looking for, his the search for a visual language that can be identifiable.
The abstract world is something that I'm really passionate about and I'm always looking for an opportunity to dive in that realm. 

I tend to use the most appropriate tool for the job, of course being familiar with a certain range of tools is important but If I have to learn a new tool to achieve a specific look, I usually don't see that as a problem but as an opportunity - opportunity that presented itself during the development of these images.

I tend to use the most appropriate tool for the job, of course being familiar with a certain range of tools is important but If I have to learn a new tool to achieve a specific look, I usually don't see that as a problem but as an opportunity - opportunity that presented itself during the development of these images.

I tend to use the most appropriate tool for the job, of course being familiar with a certain range of tools is important but If I have to learn a new tool to achieve a specific look, I usually don't see that as a problem but as an opportunity - opportunity that presented itself during the development of these images.

I tend to use the most appropriate tool for the job, of course being familiar with a certain range of tools is important but If I have to learn a new tool to achieve a specific look, I usually don't see that as a problem but as an opportunity - opportunity that presented itself during the development of these images.

I tend to use the most appropriate tool for the job, of course being familiar with a certain range of tools is important but If I have to learn a new tool to achieve a specific look, I usually don't see that as a problem but as an opportunity - opportunity that presented itself during the development of these images.

Credits

Credits

Credits

Credits

Credits

Clients
Mix between self initiated & professional ones.

Clients
Mix between self initiated & professional ones.

Clients
Mix between self initiated & professional ones.

Clients
Mix between self initiated & professional ones.

Clients
Mix between self initiated & professional ones.

Art Direction | Design
Vitor Teixeira

Art Direction | Design
Vitor Teixeira

Art Direction | Design
Vitor Teixeira

Art Direction | Design
Vitor Teixeira

Art Direction | Design
Vitor Teixeira